Considering that God's Not Dead put Pure Flix on the map and raked in more than thirty times its budget in theaters alone, a sequel was a virtual certainty and was quickly announced by the studio. After the success of the first film, the studio was able to tap some higher-profile actors to fill the main parts, most-notably Melissa Joan Hart (Sabrina the Teenage Witch) as the film's leading lady. Also filling out the main cast were Jesse Metcalfe, Ernie Hudson, Pat Boone and Ray Wise as the mustache-twirling antagonist, in addition to a few returning cast members from the first film (most notably, producer David A. R. White as Pastor Dave). The first film's success also meant that Pure Flix was able to get some Christian public figures to appear as well, including Lee Strobel (who had been name-dropped in the first film), J. Warner Wallace and Mike Huckabee.
As for the making of God's Not Dead 2, I've been having trouble finding really interesting information about the making of the film and I don't want to speculate too much, so take the next part with a bit of salt. Unlike the first film, there isn't as much information about what actually inspired God's Not Dead 2. However, considering the content of this movie, I would not be surprised if Pure Flix's association with the Alliance Defending Freedom played a major role in the creation of this film, which is further evidenced by ads for the ADF in the end credits and on the movie's website. As Sean Paul Murphy had said previously, Pure Flix's audience were growing more interested in films with political agendas rather than simply "Christian" films.
It's also worth noting that the filmmakers were clearly very aware of the backlash that the first film had inspired from atheists. Responding to claims that the God's Not Dead films misrepresent Christian persecution, David A. R. White told The Blaze "It’s an interesting thing, because, if it wasn’t real, why do they get so offended by it? [...] I don’t think it would annoy people if it wasn’t true." I... what?
David... you know that people get annoyed by lies too... right? Are you so deep into the evangelical bubble that you can't see anything else? Sigh... I think I'm starting to understand why the "logical" arguments in these films are so unconvincing.
The story of God's Not Dead 2 picks up a few months after the last film ended and follows a high school history teacher named Grace Wesley. One of Grace's students, Brooke, comes to Grace for advice because her brother has recently died and she doesn't know how to cope with the loss. Grace confides that she trusts in Jesus, which helps to prompt Brooke to explore Christianity after she discovers a Bible that her brother had kept hidden. Brooke then asks a question in class about the non-violent protests of Ghandi and Martin Luther King Jr, relating them to Jesus, which Grace answers and explains. However, one of her students reports her for doing so, which prompts the school board to try to fire Grace. Grace is represented by a young, non-Christian lawyer named Tom Endler who tries to get her to stand down and concede to an apology. Grace refuses because she believes that she did nothing wrong. Brooke's parents are then approached by Pete Kane of the American Civil Liberties Union, which wants to represent them in suing Grace with the explicit intent of stamping out Christianity in America once and for all.
Grace is then put on trial for violation of the separation of church and state, with Pastor Dave managing to end up on the jury for the case. Tom mounts a defence by arguing for the historical authenticity of Jesus with supposed "experts" Lee Strobel and J. Warner Wallace showing up to explain as much. Brooke is eventually brought in by Tom and Grace to testify, but she ends up giving further evidence to the ACLU's case by revealing that Grace had spoken to her about Jesus outside of school. Everything's looking grim for Grace when Tom comes up with a baffling final gambit, putting Grace on the stand as a hostile witness and badgering her to tears about her faith, saying that they're going to silence, fine and jail all the Christians. Somehow, this causes the jury to rule in her favour, much to the embarrassment of the ACLU. After the credits, Pastor Dave is arrested for not handing over sermon transcripts earlier in the film.
As you can probably tell from the plot summary, God's Not Dead 2 ditches the previous film's interconnected storylines in favour of one main plot. There are still a couple subplots, but these are given far less prominence than in the first film and all tie directly into the main plot. This, honestly, is probably to the story's overall betterment, as I did suggest previously that God's Not Dead could have used some stronger focus overall. Honestly, in a lot of ways God's Not Dead 2 is an improved sequel - the production values are a bit better, the performances are all good across the board, the story's a bit more focused and the scope and stakes get raised enough that this doesn't just feel like a straight rehash of the first film. There were also some subplots that I thought were legitimately really good - basically everything revolving around Martin (Paul Kwo, reprising his role from the first film) is great as we witness him grow from an awkward and excited young Christian to one who is resolved to preach, even when it costs him the respect of his family. I also found elements of Amy's subplot (Trisha LaFache, also reprising her role) to be interesting, as she grapples with her faith after her cancer goes into remission. Unfortunately this intriguing aspect of her character gets dropped pretty quickly and, while Amy remains in the film for quite some time thereafter, she doesn't really add anything interesting in the rest of her screentime.
The only problem is... well, God's Not Dead 2 sets itself up in such a manner that an objective and detached review of it is basically impossible. Like I just said, technically this film has the pieces needed to be better than the first movie. Story-wise, I found its courtroom melodrama and proselytizing duller than the first movie's classroom drama, despite the overall tighter focus of the sequel. I think this simply comes down to the rivalry of Josh and Radisson, which was far more interesting than Grace and Tom's flat characterization and Pete's scenery chewing. That's not really the main issue though, as it's the actual themes of the story that lets this movie down so hard and make the two hour runtime into even more of a slog. Once again, the filmmakers ideological bent is on full display, but this time they really lean into it, to the point where it straight-up ruins their movie from conception. The plot is just plain dumb and stretches credulity to the breaking point. That said, if you're a part of the conservative evangelical bubble then you might not even notice that there is an ideological bent to this movie at all - or worse, you might even feel validated by it.
Let's just get right into the portrayal of atheists in this film. It's clear that the filmmakers were aware of the atheist backlash that the first film inspired, but it seems that it only inspired them to double-down, because God's Not Dead 2 is way more offensive to atheists than the previous film was. This is evident from the very first scene of the movie through the portrayal of Brooke's parents, Richard and Catherine. Brooke is clearly struggling and withdrawn because of the death of her brother, but her parents are totally over it and don't seem to care anymore at all. Right off the bat this is a step beyond anything that the filmmakers had portrayed in the previous film. They imply once again that atheists are incapable of love, but now they also seem to believe that they can't even care about their own children!? I was watching and wondering if this might just be a coping mechanism for Brooke's parents, but no, this movie straight-up implies that atheist parents don't give a shit about their own kids. I'll be honest, I was floored by the very start of this film, it was unbelievable that the people behind this film would think this of atheists. I mean, as I have reiterated multiple times now, they were aware that atheists were offended by how they were portrayed in the first movie, so you'd think that the right move would be to be more careful in how you represent people going forward to make sure that there are no misunderstandings, right? Well, we're getting the message loud and clear here, the filmmakers clearly think that atheists are heartless automatons. I had thought that the filmmakers just sucked at portraying non-Christians in the previous film, but here we get to see right off the bat that everyone involved in the production of this movie is totally incapable of empathy. Brooke's parents never get better throughout this movie. There is no sympathy from or for them. During the trial, Richard is more worked up about his daughter getting "preached to" than the fact that his own son died. Seriously, shouldn't atheists mourn harder when someone they know and love dies? Hell, at the end of the last movie, we were supposed to think it a good thing that Pastor Dave and Jude were celebrating the death (and last-second conversion) of Radisson. Just... how could they be so lacking in empathy for people who have different views?
Also worth pointing out is Martin's father who shows up for one brief, but important scene. After Martin converts to Christianity, his father arrives to take him back to China because he believes that Martin is disgracing his family and that Martin is throwing away his future and the sacrifices that his family has made for him. It isn't really explained why he believes this, but I think that the audience is supposed to understand that China persecutes Christians and implies that this is the end-result of state-sponsored atheism. When Martin refuses to recant, his father slaps him (which now means the God's Not Dead films are two for two when portraying non-Christians of other nationalities as violent degenerates, hooray!), disowns him and then immediately returns to China. In all honesty, this scene works far better than the domestic abuse sequence in the first film and could have maybe been an affecting scene if there had been any sort of reasoning given for Martin's father to be so vehemently anti-Christian. Instead, it just comes across as more of the same "atheists are bad and hate Christians just because" message. Give me the God's Not Dead movie about Martin going back to China to be a minister, that could actually be incredibly interesting if it was written well (although knowing this production team, I have my doubts).
The most prominent atheist character is Pete Kane of the ACLU. For what it's worth, Ray Wise puts in a deliciously hammy performance, turning every line from Pete into a sneering, sinister proclamation that guarantees that you'll at least be entertained when he's on-screen. That said, the material he's working with is just plain stupid. I'll get to the fact that the ACLU are the villains in this movie later, but Pete Kane is meant to represent how dastardly and hateful the organization (apparently) is. From his very first scene, Pete is seen as eagerly relishing the chance to make an example out of Grace and to "prove once and for all that God is dead". He's not even subtle about it when he's around Grace and Tom, telling them straight-up that "I hate what people like your client stand for and what they're doing to our society". Bloody hell, I know that there are militant atheists who talk like that, but this movie acts like they're the status quo.
Of course, the film tries to make Pete out to be a hypocrite during the trial when he claims that "Christianity is not on trial here" in his opening statement, despite it being obvious to the audience that this is not the case. To hammer that home, he also makes a big fuss about not wanting to offend any Muslims in the court, dog whistling to the audience the idea that liberals are afraid of offending Islam but hate and attack Christianity. Basically, throughout this movie Pete grins gleefully any time something happens that negatively affects Christians, while looking exasperated any time someone in the defence acknowledges that it's pretty much a settled fact that Jesus existed. Hell, he looks downright shocked when J. Warner Wallace reveals that he was an atheist and that "I'm a Christian because it's evidentially true" (in your opinion, sure).
As cartoonishly evil as Pete Kane is, his characterization is echoed in a number of smaller atheist authority figure roles in this film, all of whom are totally hostile to Christians. Whenever the news media gets shown in the film, the newscaster goes on a tirade about how Grace and Christians are zealots, fundamentalists and that the only extremists we need to worry about are the hardcore Christians. This portrayal of the media just felt so weird to me because it has the tenor of a Fox News segment, but with right-wing talking points swapped out for insults that get thrown at conservative evangelicals. Maybe I just don't know the American media and how sensational their reporting style is, but I feel like this might just be the filmmakers projecting their own media's style and assuming that that's how everyone does it.
In addition to the media, the entire school board is immediately against Grace (her union rep even says "What were you thinking?" when asked whether Grace said the "words of Jesus" in class). Principal Kinney is particularly villainous, giving Grace these over the top evil looks and during her testimony against Grace is almost as much of a mustache-twirler as Pete Kane. Kinney is also seen shutting down a student protest led by Brooke in an effort to further silence Christians (that the audience this movie was directed at would be trying to shut down student protests that disagree with their politics less than two years later gives a contemporary viewing some delicious retrospective irony). Meanwhile, when Pastor Dave refuses to hand over sermon transcripts to the prosecutor's office, the officer overseeing this goes from being fairly casual and routine to something resembling a body snatcher. I'm not kidding, he stands up, stares and ominously asks Dave if he really wants to refuse to comply, before stating that "a nail that sticks up gets hammered down".
If you've checked out any of those links to the film's blog, you might also have noticed how this movie constantly markets itself. God's Not Dead 2 has more product placement than a Michael Bay or Adam Sandler movie, the only difference being that it's exclusively advertising for products in the evangelical bubble (a bubble which, might I remind you, heavily commodifies religious adherence and expression). Just look at this list of really obvious plugs throughout this film:
- We've got Lee Strobel showing up during the trial, is placed as an expert we should look up to, literally name-drops his books in a manner that doesn't make sense within the scene, and then gives us a sales pitch about why he's an authority on the historical existence of Jesus.
- We've got J. Warner Wallace showing up in a similar manner, name dropping his books and then being poised as a credible expert with evidence that Jesus is God (which he never really gives us, so I guess you'll have to buy his book).
- We've got the Newsboys who show up to perform a new song and hope that it becomes another #1 hit after their success with the first film.
- The end credits directly advertise for the Alliance Defending Freedom in the event that you feel persecuted for your faith.
- In addition, the film advertises itself no less than 3 separate times during its ending, telling the audience to once again text "God's not dead", and even offers a handy, prebaked hashtag for everyone to send out on social media in order to generate buzz for the film. Bloody hell...
I've had to do a lot of thinking to give this movie a final score that I could feel secure in awarding. It's easy for this film's audience to say that people who hated this film merely disagreed with its message (in fact, it's probably playing into the filmmakers' intent doing so). On the one hand, I have to give the film some points for being fairly professionally made, and Ray Wise is always entertaining to watch. However, the film refuses to present itself in an enjoyable way to anyone outside of a very narrow political worldview - in fact, it's openly hostile to worldviews that don't match the filmmakers' own. As a result, I feel more than justified in saying that this film is straight-up trash which exists only to stoke evangelicals' persecution complex and to cynically rake in cash and political fervour in doing so. I would rather watch a freaking Bibleman video than this movie again.
Be sure to tune in again soon as we come to the final entry in this series: God's Not Dead: A Light in Darkness!